
Plate I
Residential · KensingtonThe Marble Room
A kitchen reconfigured around one honed-marble island. Black cabinetry, a single clay note, finished turn-key.
A London studio for considered interiors, designed and delivered turn-key, room by room, brief to last detail.
We work the way a good editor works: choosing what stays, what goes, and what one detail the whole room turns on.
Aldous & Frith is a small London interior studio. We take a space from first conversation to final styling on a single programme, holding the concept, the drawings, the trades and the procurement ourselves so the standard never slips between hands.
We design from the building outward, its proportion, its light, the way you actually move through it, and we keep the palette quiet so the materials and the room can speak. The result is meant to feel resolved rather than assembled.

One studio holds the whole arc of a room, so the idea that was drawn is the room that gets built.



The plates above are illustrative of the studio's materials and design language. They represent the way Aldous & Frith works, not a record of completed commissions.
We keep the working method deliberately plain. There is no mystery to a well-made room, only a sequence held by one team and a refusal to hand the standard off halfway.
We begin at your table. We measure and survey the space, listen to how you live or trade in it, and agree the budget and the brief before a single line is drawn.
One coherent direction, drawn in full: layout, joinery, lighting, finishes and the furniture schedule. Every decision is costed and documented, so nothing surprises you on site or on the invoice.
We procure, sequence and install under our own direction, then dress and hand over. You take back a room that is genuinely finished, down to the last object on the shelf.
We take on a small number of projects each year, so each one keeps the whole studio's attention from the first conversation to the last detail.
They held the whole thing. We chose what we cared about and left the rest to the studio, and the house came back to us finished, not a snag in sight.
The best place to begin is a conversation about the room, where it is, and roughly when you would like to start.